Specification | Notes | |
Photo-Site Count | 65 Million Photo-Sites | |
Image Resolution | 9.3K x 7K 18.7 x 14K | |
Sensor Size | 29.9mm x 22.4mm | |
Shutter | Global | |
Native Aspect Ratio | 4:3 | |
Sensor Type | CMOS | |
Native (base) ISO | ISO 500 ISO 600 ISO 800 ISO 1000 ISO 1300 ISO 1600 ISO 2100 ISO 2600 ISO 3200 ISO 4000 ISO 5100 | The 9x7 has 11 Base ISOs |
Analogue Gain | -4dB to +16dB | |
Dynamic Range | ||
native (at 65 MP) | 13 stops | measured with ARRI DRTC |
with highlight recovery and noise reduction | ~ 16 stops | up to +4 stops from native |
Camera Features | ||
Format | 16-bit linear Cinema DNG | Uncompressed |
16-bit or 32-bit EXR | up to 18.7K x 14K | |
RAW histogram | Yes | Linear and Log Scales |
Smart Traffic Lights | Yes | |
Overlays | IMAX, Grid, Crosshair, Full Dome, MSG Sphere, Flying Theatre | custom overlays support |
Instrumentation | Yes, all pipelines | real-time |
Diagnostics | Yes, all pipelines | Log file |
Black Shading | Yes | 1 second calibration |
Flat Field Correction | Yes | 1 second calibration |
Focus Assist | Yes, Magnification | fully customisable |
Focus Assist (recording) | Yes, Magnification | fully customisable |
Crop Modes | Yes | |
Max Shutter Speed | 1/56,000 s | |
Min Shutter Speed | 1s | |
Max Recording Data Rate | 10GB/s (80Gb/s) | sustained |
Internal Storage | 8TB or 4TB | |
Recording Time at 30fps | 50 min | |
Max Framerate at 65 MP | 70 fps | |
Supported frame rates | 0 ~ 400 fps | any |
MOCO (triggered) | 0 ~ 400 fps | overlapped readout |
Genlock | Yes | TTL Level |
Sync | Yes, Master and Slave | |
Remote operation | Yes | wired and wireless |
Lens mounts available | LPL, PL, PV, Nikon, Leica-M | interchangable |
Recording Module | ||
weight | 2.5kg | with cooling module |
dimensions | 136x166x66mm | with cooling module |
power consumption | ~100W | |
power source | 12 ~ 19V DC | |
Sensor Module | ||
weight | 0.7kg | without lens |
dimensions | 80x80x70mm | |
power consumption | ~20W | |
Power source | 12 ~ 24V DC | |
Replacable OLPF | Yes | |
Max tether length | 100m | |
Colour Management | Direct and Indirect Scene-Referred |
ACHTEL Pty Limited specialises in immersive cinematography for Giant Screen, IMAX®, Flying Theatre, Sphere and VFX above and underwater. Our innovative products and cinematography won international awards and attention for uncompromised approach to image quality. ACHTEL’s products have been used on many documentaries and feature films, including James Cameron’s Avatar: The Way of Water.
10 Montrivale Rise
Dynnyrne, TAS 7005
Australia
T. +61-40 747 2747